It was a chance meeting that brought us face to face with Les Bursill, a one-man authority on Sydney's Aboriginal history and anthropology. And we were lucky to have him as our guide to the sacred sites located in the Royal National Park in Sydney. A descendant of the Dharawal community of southern Sydney, Les is a walking encyclopaedia on his area and its unique customs. He is also a seasoned bushwalker as we found out while trying to make way through the thick foliage of the Australian bush. We took with us bottles of water to pour on the awesome engravings to make them visible in the glare of the midday sun, while Les took us on a fascinating journey to the beginning of 'the dreaming'... when Yullangur or the creation serpent first appeared... and how the 'celestial sisters' came to give birth to the first humans and how the early Aborigines carried out their Orca hunts in the Sydney bay area.


Talking About Palm Island happened quite by chance while sitting in Elisabeth Cummings' beautiful home-and-studio in suburban Sydney. Elisabeth is one of Australia's most respected living abstract expressionists and a wonderful human being. In this clip she's telling us about The Tall Man: Death and Life on Palm Island, a book that's impressed her immensely. The award-winning book by Chloe Hooper traces the custody death in 2004 of Cameron Doomadgee Mulrunji, a 36-year-old aboriginal man believed to have been a victim of the police's racial prejudice. The coroner's report tried to show Mulrunji's demise as a case of accidental death, which led to violent riots and sit-ins by the Palm Island aborigine community who alleged that Mulrunji was beaten to death. For me the incident is an important part of understanding race-relations in Australia and perhaps even back home in India where they take on a casteist colour.

Elisabeth, like many other Oz artists whom we met, also spoke about her deep fascination with the colours and sights of India. She was in Vrindavan recently where she had a great time visiting the temples and watching underprivileged kids paint.

Also at the table are Oz light-artist Roger Foley-Fogg, Hollywood film editor Francesca Emerson, CNN-IBN art correspondent (and wifey) Sahar Zaman and of course yours truly who's behind the camera.

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As an art practitioner I work in a variety of mediums, what you see here are glimpses of my many creative projects. If you like or feel strongly something here please don't forget to comment

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