It's no coincidence that these (this and the one below) are inspired by Gymea, the place where we stayed in Sydney, Gymea, the native Australian lily and Les Bursill's amazing tour of Aborigine sacred sites.


The Gymea Lily (Doryanthes excelsa) is a flowering plant indigenous to the coastal areas of New South Wales around Sydney.
The plant has sword-like leaves more than a meter long. It flowers in spring and summer, sending up a flower spike up to 6 m high, which at its apex bears a large cluster of bright red flowers, each 10 cm across.

The name "Gymea Lily" is derived from a local Eora dialect. Dory-anthes means spear-flower in Greek, and excelsa is Latin for exceptional. The Sydney suburbs of Gymea and Gymea Bay are named after the lily.

The genus Doryanthes was first described in 1802 by the Portuguese priest, statesman, philosopher and botanist José Francisco Correia de Serra (1750–1823), a close friend of Sir Joseph Banks. Doryanthes excelsa has also inspired the naming of Doryanthes, the journal of history and heritage for Southern Sydney founded by Dharawal historian Les Bursill.


Source: Wikipedia






46 cm X 46 cm each
Acrylic on canvas
Pix: Sahar Z






“MOST of the work here is inspired by my interpretation of the spirit of India and the meaning of Diwali, the largest light festival in the world.

My original Sixties’ lightshows were inspired by India’s colourful gods, mandalas and the concept of Karma and in my innocence and naiveté I must confess that India seemed a particularly attractive society because Coca-Cola and other suspect symbols of the corporate world were banned at that time.

Recent trips have strengthened my impressions of the spirituality of India. Not the spirituality of any one religion or particular belief but the way that the belief and social systems in all the many different ‘Indias’ add up to manifest a harmonious whole. One family.

My advisor, friend and special guest at the Exhibition artist Dhiraj Singh tells me that this ancient Indian concept of Vasudev Kutumbakam which means—the world is one family—holds special relevance today particularly in our reaction to climate change and other world problems. We all have to work together.

I was first moved by this concept—of universal oneness—at the Yellow House, Sydney, nearly 40 years ago through an unpublished cartoon by Martin Sharp, once lost now found, titled—‘We are all islands, joined beneath the sea’.

My work is also inspired by the theatre and film of Albie Thoms from whom I discovered ‘the futurist manifesto for the theatre’. In recent years I have given a ‘futurist’-inspired lecture (‘7 Aspects of Light’) at the National Film and Sound Archive, Canberra, to a very mixed audience response and with the late Adrian Rawlins and the multi-talented Edwina Blush produced ‘Mr Fogg’s Music Hall’ as a chaotic, ‘futurist’ event.

On the other hand I also design, construct and production-manage the annual ‘Christmas Tree of Light, Darling Harbour’ in a highly organised manner for the children of Sydney and in support of the Starlight Foundation.

For this exhibition I have tried to get both sides of my brain in some kind of sync!”

Roger Foley-Fogg aka Ellis D. Fogg
February 2010, Sydney


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As an art practitioner I work in a variety of mediums, what you see here are glimpses of my many creative projects. If you like or feel strongly something here please don't forget to comment

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